Tag Archives: abandoned footwear

I Filmed Abandoned Shoes in the Dominican Republic

Here I put together a quick video of the abandoned shoes I saw on my trip to the Dominican Republic. Spliced in are a few cows, ducks and shots of the sky because it was truly amazing at times.

I might end up uploading this to YouTube later down the line but for now you can enjoy it on the wearshoeswritepoems domain!

Also shoutout the track Jumping Frogs by Spleen United, a track I discovered during my time out there by complete coincidence. It’s bouncey backing track summed up how I felt about the the other worldly beauty I often found myself in.

The wearshoeswritepoems Substack is here!

Yes, it is indeed that time people. I am now posting some more daily shoe-related finds and ponderings over on my Substack if you want more content.

That is certainly not to say I will be neglecting the site. More long-form shoe discoveries and footwear poems to come.

Remember, it is only content if you are content!

Shoe Spotting In A Small West German Town

I went to my Uncle’s 60th in Germany the other day. It was a wonderful affair. Apart from celebrating, I thought it an apt opportunity to look out for abandoned shoes. Although I was travelling with family, meaning finding time to wander would prove difficult.

We took the car to the Euro Tunnel to get over to mainland Europe. Big slay. The journey started off on the right foot (pardon the pun) thanks to one discarded DC high-top sitting next to the awaiting cars. Either some Roadie had decided to part ways with it before starting a mind-bending metal tour in the EU or some kid lost it by sticking his foot out the car window. I’m think either excuse would suffice.

Unfortunately, this would be one of only two shoes I would come across during the weekend trip. Many shoes were dotted along the roadside but due to the fact that we were whizzing past in the car, I was unable to snap a photo in time. I did however notice an awful lot of flip flops, or thong sandals discarded along the French motorway.

Perhaps the Havaianas R&D team would benefit from a European road trip. Equally, any influencers promoting the latest #toesoutsummer trend might benefit from this excursion. Side note – is the flip-flop and jeans look authentically Scandinavian or is it a move from the ruling class so people forget they’re losing more money to taxes each year by the distraction of toe action. Suspicious right?

Needless to say, little to no abandoned shoes were photographed. Later that evening we found ourselves in a cash-only German dive bar. It was there that I spotted the most typically German footwear left on the tiled floor. Underneath the bar stools lay a heavily-worn pair of Birkenstocks, the Arizona to be exact. I didn’t get to find out to whom they belonged to either as they sat there alone the whole time.

I imagine the owner of the Birkenstocks was a local, someone who frequented the bar and enjoyed feeling the grooves underneath their toes that they put in the hours working for. My only other thought is that they were a memoriam to a bar-legend, but I was not willing to find out if they were glued to the floor. ‘Never touch another person’s Birkenstocks’ is a good rule to live by.

The next morning I retraced my steps around the town I had so often visited as a child. Walking down memory lane. All the toy and shoe shops seemed so much smaller than I had remembered. I suppose this is the usual realisation for places people rediscover later in life. I loved it all the same. In fact, it had become more charming a place than I had remembered.

My Uncle, reluctant to splash out on a pair of shoes for my other Uncle’s party asked if I knew of any shoe repair shops in the area. While my shoe knowledge is extensive, I would be lying if I said that I had a sixth sense for where cobbler’s dwell. If I did I’d probably be rich. Or arrested.

A quick Google later and we were in the first cobbler’s. A middle-aged German lady looked us up and down, realising we weren’t the usual clientele. My Uncle, pointing at a loose stitch on his forefoot, gestured for help, to which the lady pulled a face and said, “no sorry”.

Not wanting to have completely wasted the journey, I asked if I could take photos of the shop, which she politely invited me to do. I spotted a very snazzy pair of women’s shoes and asked if she knew the brand name. She shrugged, “I don’t know, I only repair the shoes.” A lady of few words. Germans are known to cut to the chase, allergic to dancing around the point, so I took no offence. Onto the next.

The other shoe repair shop was in the local mall a short stroll away. The man’s shop was small in comparison, more like a pop-up Timpson’s equivalent, although with fewer ex-convicts as staff members. Noticing we were interrupting a friendly catch-up with a local on a Saturday morning, we were hesitant about receiving help.

My Uncle did the same one-shoe dance, pointing to this somewhat broken shoe in his other hand. An animated point of the finger later and the German cobbler shook his head, “No sorry”. It seemed to be an easy response to fending off the English. They know we can never be offended if there’s a ‘sorry’ on the end of it. E.g. “I burnt your house down, sorry”. To which the standard reply would be, “All good, how’s the family anyway?”.

It was at this point that my Uncle conceded to buying a new pair, so off on a shoe hunt we went. Heading over to the next town, a place which had a bigger and better selection of trainers, spirits were somewhat high. Recruited as an impromptu celebrity shopper/stylist, I fuelled up on a mango and watermelon ice cream. I was on holiday after all.

A lot of shops were full of very German-looking leisure shoes. Think Clarks but on steroids. Better yet, Clarks on a mild dose of antidepressants. It was here that I spotted a pair of formal leather walking Strober shoes. I knew little of the brand, but the shoe was so Grandpa, I was infatuated with it.

Suddenly ,my penchant for dad jokes and white socks made all the more sense. The only thing holding me back was the 99.95 Euro price point (discounted from 199.99 Euros), and the fact that my mum told me in a Peruvian-equivalent way that I would ‘look like a geriatric’.

Could I pull them off? I truly believed in that moment I could. A pair of loose sporty diabetic-friendly socks and some beige chinos, chef’s kiss (FYI I don’t have diabetes but I did accidentally buy a pack of diabetic socks in 2018 off Amazon, hence the reference). In hindsight, I am rather glad I didn’t end up purchasing them as it meant I could justify the pair later on.

It was wandering around where I saw this golden boot (not a reference to Headie One’s hit song) and other silver baby shoes. I feel like if I got to the level where I justified buying these as house decorations, I would truly be ‘cooked’.

Here is an interesting sock packaging that I spotted in a souvenir shop. It was a very Japanese present in my mind. Would you be happy to receive this from your partner on Valentine’s Day? Let me know in the comments as I cannot figure out if these are a big yes or a big no.

My Uncle did successfully purchase a pair of shoes for the birthday party the following day. Opting for a Bugatti formal/sporty shoe hybrids in a light brown, the mission was a relatively fun exercise. Even if he didn’t go for the more hybrid sole pair I was vouching for. They looked in the vein of the Nike Cole Haan hybrids from the early 2000s where you would get a formal shoe sat on a Lunarlon midsole.

image via Pinterest

Had I ever ended up in the finance industry, I’d have got a doctor to write me a note so I could wear these. That’s where the diabetic socks would have really come into play. In fact, maybe I should buy another pack for future health-related excuses. Is it a hate crime to dislike someone with diabetes? If not it should be.

Getting back to the hotel, I decided now was the time to go for a wander while the rest of the squad went to nap. Darting straight for the local sports shop, I was eager to relive my childhood-sneaker epiphany by going to the sports shop that started it all. The only problem was I couldn’t remember which one it was or if it was still open. Regardless, I headed to the nearest Intersport hoping memories would come flooding back.

Solid Brooks running shoe selection at the local Intersport

Entering the shop triggered a deep sense of nostalgia. A distinct memory of helping my mum and auntie buy my cousin a pair of adidas football boots returned to the front of mind. Tracking through the racks, it was clear that the shop had a decent running shoe selection. I pored over the prices and sizes on display for almost thirty minutes before heading to the other side of the store where the hiking shoes were kept.

It was then that I spotted the Meindl glowing from afar. Long had I thought about this premium hiking shoe. It’s understated leather upper bowed in elegance and silently spoke to its marvel of German footwear making. I had strolled into many Outdoor shops in the UK to only stare at the high price point of the Meindl footwear selection.

Paying £175 was out of the question, yet the suede and tightly woven stitches called my name each and every time. Not to mention the leather GORE-TEX edition, which reached as high as £220. Now it was all making sense, acknowledging the top-tier quality and the way it poked its head above the rest. The 250 Euro price point was eye-watering but I was eager to find a way of making it happen.

on-foot shot of the Meindl Caracas in brown leather GORE-TEX
The moment two stars had collided

I discussed the shoe with the Intersport employee, where she took out the insole to see how my foot fit against it. Opting for a bigger size to allow for any foot swell during a hike (hot I know) I went with the UK12.5.

I also decided to go on the obstacle course, feeling no pinch points across the stone edges and wooden logs. I felt like a man in his forties testing out a pair of shoes for a grand adventure. Although I am still in my twenties, I am not the head of a family or a father to any children, so I was coasting on pure adrenaline (a slight exaggeration and artistic license are used here). I was in my element. I felt awesome, as the Americans would say.

The store assistant left me to umm and ahh as I tried to figure out how on earth I could bring down the price. One University discount, size-related discount and cash deposit later, the card machine read 140 Euros. I had won the game of life (or thereabouts).

in-hand shot of the Meindl Caracas in the brown leather

Walking out of the store, it was obvious that the stars had aligned. Not only had I returned to the mecca of shoes, the place that started it all (to be confirmed), but I had also managed to pick up the Made in Germany Meindl’s that I had wanted for years. Elated, I felt it was right to snap a photo and capture the moment.

Miendl Caracas in Germany

Feeling a strong post-success hunger, I decided to walk to a fine kebab shop where I was able to pore over the quality upper in the town square. You can see the slightly confused lady in the background, either that or her face is one of pure envy. You can decide for yourself on that one.

The next day I told my cousin about purchasing a pair of Meindls. He laughed, stating he only knew that avid German hikers wore them, not really hip people in their twenties (not his exact description). I asked if he would ever own a pair, to which he replied, “If you ever saw me pushing a stroller in them, you know I am near the end.” I think the German craftsmanship was lost on him. Needless to say, I am absolutely chuffed with them and they look grand on foot.

Fond memories, cheap bakeries, good value double Espressos and a wander down my footwear-related past meant I was made up.

kicking it back in the New Balance 996 Grey and Nike Air Max Torch IV
My Dad and I posted up on the block (like a lowlife?)

Shoe Poems 006: Everywhere

Everywhere you look, shoes are left to their demise. A universal sign of emptiness. Sat in a shop window. Sat by the front door. A pair to pop the to shops in. Knock about the house in. Take the bins out in. Kicked off in the heat of the moment. Dangling from a tree. A rite of a passage. Waiting for repair. Caught in a mosh pit. An impatient child. Lost by someone equally as lost. An angry ex. Too far gone. Too soggy for indoors. A drunken night out. A prank gone wrong. Unwanted waste. All without an owner. Unfinished stories. Open endings strewn across the floor. 

Kurt Vannegut on Boots + Music

Weisberg’s Night Rider is a display of ’70s flute at its finest. Pre the album artwork too, only makes the song that much better. If I’m ever cool enough to drop an album then best believe it’ll feature an old racer.

This song was too funky not to include. Came across it on a MAJ Brazilian reggae set where the lady doing the back-to-back kept gesturing a cobra with her hands. She seemed like good energy and this song was doing a lot of the sunny Friday afternoon that I found myself listening to it.

Here’s a Skepta and Novelist rework that captures the silhouetted MCs in what was the resurgence period for the genre. You can just make out the Streetz Iz Watchin’ cap that defined the North London artist’s mid-2010s era, as well as a young Novelist who at the time was championed by all the OGs. Here is the original set for those wondering.

The first two tracks came from the MAJ YouTube channel, as well as coming across another Mellow Grime producer in RONIN. These three songs weren’t available on Spotify, reminding me of how disappointed I get when actively searching for new music outside the platform’s algorithms.

Also here are some words about a pair of boots which really stood out to me while reading Kurt Vonnegut’s Slaughterhouse 5:

"Those boots were almost all he owned in this world. They were his home. An anecdote: One time a recruit was watching him bone and wax those golden boots, and he held one up to the recruit and said, 'If you look in there deeply enough, you'll see Adam and Eve.'

Billy Pilgrim had not heard this anecdote. But, lying on the black ice there, Billy stared into the patina of the corporal's boots, saw Adam and Eve in the golden depths. They were naked. They were so innocent, so vulnerable, so eager to behave decently. Billy Pilgrim loved them.

Next to the golden boots were a pair of feet which were swaddled in rags. They were crisscrossed by canvas straps, were shod with hinged wooden clogs. Billy looked up at the face that went with the clogs. It was the face of a blond angel, of a fifteen-year-old boy.

The boy was as beautiful as Eve.

There’s a lot of religious symbolism which I haven’t broken down yet. If a boot is so shiny and golden, thus acting like a mirror in which that person can look into their soul. Whether or not that person is pure enough to possess that energy within is to be decided. Anywho, I’ll be looking out for more boot related sections as I read on. So It Goes.

Sticking with the abandoned footwear narrative, here is a cool video of someone putting together images of lost footwear they found in Thailand. It’s only available in 240p as it was uploaded about back in 2019, which in hindsight is no excuse as to why this should be such a low resolution. Perhaps it was an aesthetic choice, in which case I fully respect the creative license. A pioneer some might say, and with a name as cool as “Sill E”, I’m starting to think I’ve stumbled across this era’s Kubrick. You’ve earnt yourself a subscriber Mr E.

10 Abadoned Footwear Projects

Having had the idea to focus on Abandoned Footwear, it recently came to mind to ask Perplexity for some previous examples where this has been the focused topic. One of the most interesting and similar concept was Daniel Bass’ 2004 project, which involved Lost Shoes. An exhibition that also cropped up was that of Chiharu Shiota’s work which initially sparked the idea in my mind. The following is great food for thought and was worth sharing.

There are several notable art exhibitions and installations that focus on abandoned shoes, often using them as powerful symbols to convey deeper social and historical messages.

1. Shoes on the Danube Promenade

Located in Budapest, this poignant memorial features 60 pairs of iron shoes set into the concrete along the Danube River. Created by film director Can Togay and sculptor Gyula Pauer in 2005, the installation commemorates Hungarian Jews who were shot on the riverbanks during World War II. The shoes symbolize the victims’ abrupt departure from life, evoking a strong emotional response as viewers are confronted with the tangible absence of their owners.

2. Thousands of Shoes on Capitol Hill

In March 2018, over 7,000 pairs of shoes were displayed on the lawn of the U.S. Capitol as part of a protest against gun violence, particularly in schools. This installation aimed to represent the estimated number of children killed by gun violence since the Sandy Hook tragedy in 2012. The visual impact of the shoes served to humanize the statistics and evoke collective trauma associated with mass shootings.

3. Hammer Projects: Chiharu Shiota

Chiharu Shiota’s work often incorporates found objects, including abandoned shoes, to explore themes of memory and loss. Although this exhibition took place from March to August 2023 at Hammer Museum in Los Angeles, it highlighted how such objects can serve as metaphors for personal and collective experiences.

4. Walk This Way Exhibition

The Dallas Holocaust and Human Rights Museum features an exhibition titled “Walk This Way,” which explores women’s history through footwear. This exhibition reflects on how shoes can symbolize women’s evolving roles in society over the past 200 years, emphasizing their significance beyond mere fashion.

5. Overboard

This exhibition, held in Washington, D.C., features handcrafted replicas of Nike shoes made from discarded materials, inspired by the “Great Shoe Spill” of 1990 when thousands of shoes fell into the Pacific Ocean. Artist Andy Yoder created these sculptures to provoke thought about waste and consumerism while drawing attention to the environmental impact of discarded footwear.

6. Lost Shoes by Daniel Bass

Daniel Bass’s installation consists of a grid of 135 photographs depicting lost or abandoned shoes, primarily taken in Kent, England. This collection highlights the stories behind these forgotten items, transforming them into a commentary on loss and memory through visual art.

7. Footprint: The Tracks of Shoes in Fashion

Located at Antwerp’s Fashion Museum (MoMu), this exhibition gathers around 600 pairs of designer shoes from the 20th and 21st centuries. It explores the emotional connections between shoes and their wearers, emphasizing individual stories rather than focusing solely on the products themselves.

8. Concealed Shoes in the York Castle Museum

This collection features historical shoes that were hidden in walls or under floors as protective talismans against evil spirits. These concealed shoes provide insights into past beliefs and practices surrounding personal belongings, illustrating how shoes can carry significant cultural meanings.

9. The Shoe Memorial at the United States Holocaust Memorial Museum

This poignant installation includes 4,000 pairs of shoes confiscated from victims at the Majdanek concentration camp. The varying sizes and conditions of the shoes serve as stark reminders of the individuals who suffered during the Holocaust, transforming each pair into a powerful symbol of lost lives and humanity.

10. The Shoes Project by Various Artists

This ongoing project features installations across various locations where artists create pieces using abandoned shoes to address themes of homelessness, loss, and social justice. Each installation varies in style and message but collectively aims to raise awareness about societal issues related to displacement and neglect.

These exhibitions not only highlight the aesthetic qualities of abandoned shoes but also engage viewers with profound narratives about history, memory, and social commentary.

Abandoned Shoe Stories

When browsing the web for more hidden books on footwear, I came across a rather interesting magazine on Onitsuka Tiger. Among the photos in the advertised post was an image that detailed an assortment of shoes all of which had a red piece of string tied to them. Fascinated by this photo, I would soon learn that this was an exhibition created by a Japanese artist called Chiharu Shiota. In her piece called Dialogue from DNA, Chiharu viewed footwear from a perspective I’d never considered before, finding how “objects can contain the air of an absence, about how nothingness often speaks volubly about objects and people.”

Photo by Sunhi Mang

“One of Shiota’s favorite works is an assortment of used shoes that she collected from various people in her neighborhood in Osaka. “I asked them to write out little histories attached to the shoes, and the result was extraordinary,” she says. “I got messages about how a woman wore a particular pair of black pumps on the day of her husband’s funeral, about a girl who had worn a pair of sneakers on the occasion of a break-up with her boyfriend. Some of the shoes were battered and had holes, others were crushed and looked like cabbages; others were practically new but a little sinister-looking.” Shiota displayed the shoes in such a way that they looked as though their owners had just left them there temporarily, and would soon be back to wear them and stride out the door.” – Page 50 Onitsuka Tiger 60th Made Of Japan. (Words by Kaori Shoji. Photo by Sunhi Mang.)

I recognised this view myself, having photographed abandoned footwear since my trip to Peru back in 2022. I think what sparked it was when I spotted a sandal being ingeniuously used as a door hinge. At that point, the object had transformed into something I had never realised it could be. During the time it made me chuckle, but since I have taken it to be a revelatory moment.

Since moving to the Big Smoke I have found myself taking photos of any discarded shoes that I have come by, all in the hope that I can one day include them in my book on shoes. Giving people a multi-layered approach to the vast world that is the objects that go on our feet.

A pair of Nike Lunar runners left at the bottom of a communal bin in Manchester (June, ’22)

To a certain degree, shoes are the only item of clothing left that truly reveals who we are, at least when it comes to the Western world and the generation born in the 90s upwards. Similar to what Yohji Yamamoto was saying in Wim Wenders’ documentary about him, the days when you could tell someone’s profession by what they wore are long gone. A shoe says a lot about someone, even more so when they are not being worn by said person. Whether someone is shy or confident, how they walk, their beliefs, their ability to dance the night away, their priorities and their insecurities are all tied onto that person’s foot at the start of the day.

Clearly this person’s priority was for their feet to stop hurting. Bun heels.

However tempted I have been to pick up these discarded trainers or sandals, I realise that it would not be practical in the slightest, especially because I already own more shoes than the average person. So having considered the moral and even hygienic aspects of taking all these objects, regardless of if I end up hosting what could be a similar exhibition to Shiota’s Dialogue from DNA, I have decided it best to stick to a digital perspective (…at least for now).

Where Shiota has asked the person who donated their shoes to add a storied note, I will have to stick to a combination of simple facts as well as a sprinkling of artistic license. Where I found the shoe, the type of day it was, what mood I was in, what brand and year the shoe is from are all questions which first spring to mind.

A knit-based shoe washed up on the shores of Huanchaco, Peru (Feb ’22)

If you do know of any picturesque pieces of footwear that have been thrown away on the streets of London, then by all means drop me a message or better yet, send in a shot that you took yourself!