Given we’re aproaching the anniversary of Virgil Abloh’s passing, I found myself heading back to a number of the many DJ sets he left with us to enjoy. I often find myself listening back to one of his talks throughout the year, finding it an immense source of inspiration as I try to understand the brilliant human he was. This track was from one of his Televised Radio sets, a series that he began during the first lockdown, livestreaming his mixes from IG live where he could be found spinning on a translcuent Pioneer deck sat atop a heavy canvas piece designed by Denim Tears. I will always find it sad that I never got to meet him or even witness one of his many live sets, a feeling I’m sure that many have felt and will continue to feel for decades to come. Regardless, we must be greatful for the all the “Free Game” he left behind.

This was a beautifully atmospheric track that he queued towards the beginning of his set. However his version featured a heart felt poem from Sonny Hall, an individual who a friend had put me onto a few months prior. Sadly, I cannot find that particular version anywhere, believing it to be one of Virgil’s personal editions. If you fancy giving it a listen then head to track 09 on this set at around 35:20 and you’ll understand what I’m on about. It’s also worth acknowledging Ryuichi Sakamoto’s piano playing throughout, another genius talent we lost to cancer.

Another producer steps onto the Grime instrumental clip scene in the form of 808mystic. Placing a different spin on Skepta’s famous Westwood session, this one provides an alternative energy to the Wize edits but still one worth adding to the playlist.

Probably one of the most human pieces I’ve heard in a long time. Well worth the 11 minute + run time, especially when you give yourself the chance to recognise how simple yet profound Simone’s lyrics were and still are.